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Blue Is the Warmest Coloura three-hour French film about two women who fall in love, is leaping from the art house to the mainstream as it arrives in UK cinemas this weekend. Step outside of the controversy, however, and what's left is a love story that's both tender and utterly heart-shattering. With Blue Is the Warmest Colour back in the headlines, Digital Spy takes a look at five other big screen offerings that caused a similar stir

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Hard to be an artist, hard to be a woman, hard to be an emotionally underdeveloped ballerina in a New York City company cracking under the pressure of a million outside forces all while attempting to resist the overwhelming sexual allure of her frenemy in spandex. In a dark, gritty, realistic style that borders on too-close-for-comfort, Aronofsky illustrates the re-imagining of a ballet classic, a story within a story recontextualized in a contemporary world. Princess Odette transforms into the White Swan, an innocent and fair creature who falls in love with her friendly neighborhood prince when he finds her in the woods one night.

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The British Board of Film Classification received 40 complaints about the Darren Aronofsky film, which follows a ballerina slowly losing her grip on reality during a production of Swan Lake. A large number of the complaints were about a lesbian encounter between Nina Sayers and fellow dancer Lily, played by Natalie Portman and Mila Kunis respectively. Despite the film receiving a 15 certificate, some viewers claimed that that the raunchy scenes between the pair were "pornographic".

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Natalie Portman deftly defies the genre conventions of what would otherwise be a predictable, unsettling melodrama about an unhinged ballet dancer who goes not so quietly crazy just as her career takes off. Her technique is perfect but she lacks the requisite passion for the leading roles. Vincent Cassel plays Thomas with a cruel sneer in his upper lip and a leer in his eyes as he challenges Nina to give up her quest for perfection so that she might convincingly portray the evil and seductive Black Swan with the wild abandon he conceives for the role.

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I knew there would be ballet that quintessential representation of femininity and near-unattainable physical characteristicsand there had been much talk about a lesbian scene. So I saw the tragic ending of Swan Lake coming, but the tragic ending of the film was kind of a surprise. Or, maybe not so much a surprise as a disappointment.

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Post a Comment. August 25, Queer Review: Black Swan In Black Swan Aronofsky uses his considerable talents to create a compelling examination of the price that must paid for sexual repression.

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As tantalizing as the premise sounds, she eventually digressed into a rather scholarly discussion about how most of these scenes are sensationalized, how they objectify women, how unrealistic they are, and, of course, their gratuitousness. I figured that the path of least resistance was to simply let her pontificate in taciturn silence, and pretend that I was listening. The much googled scene between Mila Kunis and Natalie Portman was the subject of her ire, with its alleged sensationalism leaving her shocked, and its critical acclaim leaving her chagrined.

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The author will in the following assume that the reader is already familiar with the film and shall not dwell on plot explanation. Nina is completely dominated by her mother Barbara Hersheywhile a brilliant choreographer, Tomas Vincent Casselis determined to bring out the hidden passion inside the timid and perfectionist Nina, so that she will be able to embody both the White and Black Swan of the ballet. The most prominent non-Tchaikovsky musical motif in the film is a dark, seductively churning piece that is employed in four sexually oriented scenes.

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Classical ballet has rarely been portrayed like this, featuring murder, ruthless ambition, drug taking, self-harming, unhealthy narcissism and lesbian sex. The film stars Natalie Portman as a ballerina who sacrifices more than her feet to get the leading role in Swan Lake. It's a tense psycho-thriller which also stars Barbara Hershey as her mother, Winona Ryder as a has-been ballerina, Vincent Cassel as the driven company boss and Mila Kunis also known as the voice of Meg in Family Guy as the rival swan. One of the most talked about scenes from the film will doubtless be the lesbian sex scene with Portman and Kunis; Portman said she first talked about the film with Aronofsky, who directed The Wrestler, in

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